Westworld is growing on me

The variety of story lines in one’s life is as limitless as his imagination…


Mr. Nolan really is doing a great job with this show. And HBO is constantly trying to stay ahead of its competition. To my surprise Westworld is getting better with each episode and I suspect a really nice turn of events at the end of the show.

But what is really important with these TV stories is that Westworld is very ambitious. From the cast to the script – everything is thought out really well and innovative. Although the origins of this script can be found in Mr. Crichton’s story, we can clearly see why HBO took this project in – from the personal perspective of the viewer, to the general assumptions of classes in society, this show is more than all-embracing.

The actors’ role in storytelling is really smartly conveyed here as well. I cannot imagine a better tale about the joys and tears of an acting career. We can clearly see the metaphors in act, and we are the ones who ask the questions about them. Some are answered, but most are left to our imagination.

The topics – about the person’s place in this life, about the meaning of destiny, about the origin of one’s values, about class structure, about illuminati, about the beauty of nature, about the grasp of human intelligence and its limits, about the fluent merging of genres in cinema, about the crazy use of lighting and sound…and mostly – about acting. True lessons of acting, based on a really simple, but layered style of storytelling. As old as a Greek myth and as new as a sci-fi bestseller in 2017.

Anthony Hopkins is genius, Ed Harris is a brute, Evan Rachel Wood is splendid and man, those side characters…you just can’t forget them…

I recommend to all of you – please give this show a chance. It will at least make you think of your path on creating your soul.ine0yi3utdf5sbjctdii


Why I love graphic novels

Hello again, Friends!
I wish to congratulate you with the new 2016 and wish all the best to you and to your families! May the new times bring us more reasons to feel happy!

Part from my happiness is my love for graphic novels. A passion about which I haven’t written until now.
But here is the first post about “The Ninth art” and I want to make it true – less words, more panels.

First of all I would like to say some words about the medium – comics and graphic novels. Some people say that this is just for kids and teenagers and they are completely right! I am still a kid. And I love it! I am sure that every person who has read the great examples of this art knows that they are as much as valuable for one’s personal growth as any other type of art. Especially the graphic novels gratify so much, that I even feel that sometimes they save my mental state. One can learn a lot about character development, harmony of lines and colors, positioning of words, expressionism and human relations from the best artists in the world. And the stories – oh yes – many books and movies were and will be made out of comics and graphic novels. Namely because a goods story and characters are today not so easy to find or to invent. You need great imagination to be able to create and inspire with your panels. And this is where I stop to talk in general and show you my favorite artists, books and panels from graphic novels and comics which I never the less recommend to you to read…

1.) In my first post about my favorite graphic novel artists I would like to show you the best one (in my opinion) – Andreas:


The German author, living and publishing in France is by far my most favorite from them all. Greatly unknown to the public – his best works – Rork, Cromwell Stone, Cyrrus-Mil, Arq, Capricorne, The Cave of memories, Coutoo, etc. – are essentially masterpieces. I shall not speak more, I just need to show you several of his panels:




His painting style, his lines, his panels’ composition, his stories – everything is so imaginative and great, that I simply do not have words to explain it. Just looking at the pictures above makes me smile and feel happy that there is such an artist on this world. And that he still continues to work and be published. His stories are unimaginably creative, his characters are always mysterious and layered. Bis backgrounds and settings are combination of real and purely fictional facts and images. I have no doubt that his albums deserve even better recognition and I will always recommend them to the people I know. You should read them and enjoy them – they are something very precious. Unfortunately most of his albums are not translated into English yet. Coutoo and Rork have English editions, but mostly his works are in French, Spanish and German. I hope that one day all of his albums will be published in English.

Anyway, this is my first long post about the artists and their works which I want to share with you. Hopefully I will have the time to write soon about other of my favorites – Moebius, Druillet, Moore, Otomo, Urasawa, Taniguchi, Inoue, Shuiten and others.

Have a great 2016 everybody! 🙂

The Revenant

The most highly anticipated film of the year has leaked for good or for bad…


I must say that DiCaprio is continuously over the top…

To explain the least – Mr. Glass, DiCaprio’s  character, is a strong source material. But to be able to deliver such a performance, you have to not only dedicate all your strength and stamina, but also have a huge talent – something which Leonardo has in abundance.
Combining this with Inarritu’s perfect directing skills and Lubezki’s paranormal filming abilities – this one had to be the best of the year.

And indeed it is – the struggle between man and nature, the vengeance trip, the human relationships, the environmental message – we all see that in its entire run. I must admit that the rawness of the shots were a bit too much at some times for me, but this indeed made the movie true to the real life of these people at that time and at that place.

The music is by Ryuichi Sakamoto and I strongly recommend it to every open soul which desires to hear something new and vibrant. The costumes are profoundly adequate and the narrative is rich with pristine survival instincts.

But the main character in this film is the nature itself. No matter if we speak about the snow, the trees, the bear or the wind itself – this is what really shakes the viewer in his seat. I purposely didn’t pay much attention to the dialogue, but rather enjoyed the “conversations” between Glass and his environment. His journey is delicately decorated with flashbacks and dreamlike visions which explain not only the personal story of the character, but also his urge to finish this journey and do what he has to do.


The movie is long enough for you to be able to immerse in the setting, so take your time and don’t rush to deduct or explain it. There will be plenty of reasons to do that in the next years which I am sure will prove it to be a classic.

The Force of Star Wars

So, yes – it’s been some time since I wrote here…
And I’m sorry to have left this website without any update for a long time. But changes have happened for good and this is good.

But everything has its time and now it’s time to pay my respect to Disney’s Star Wars…

I can’t really explain in details, but since a child I have felt that “Star Wars” is bigger than “Disney”. You might thing this is ludicrous, but it’s somewhat true to me. As a child I was exposed to “Empire strikes back” and I loved every second of it. And after that all the other old movies. It’s just that the whole imagination in that trilogy was so enormous that it encompassed me and made me warm back then…and still it is like that.

The thing is that after that Lucas made the Prequels which was a good move, a fresh breath and certainly they were written and produced in a respectable manner. The problem is that too much CGI and further lack of acting skills made those films look bad in various ways. You can’t say that Lucas made a mistake, he just didn’t hit that same spot with the audience.

So that interesting point is that JJ Abrams hits that spot with the new movie. And does that using the whole specter of starwarsmanship. He directs good actors, films on beautiful places, gets the right writers…but something is amiss. And it’s hard to tell what it is…


Daisy Ridley, John Boyega and Oscar Isaac are performing very good. Harrison Ford is stellar as usual. The others – not really adding that much to the on screen chemistry. But anyhow the movie is performing well and strong. The music is enormously beautiful, the shots are spectacular, the details are really cool, and the robots are, of course, adorable.

So my final question is – if everything was so good and reminded me of the old Star Wars trilogy that much, why did I feel partly a bitter taste throughout the movie? For now it is hard to explain the reason, but I feel that maybe to keep a person warm, you need to fuel the fire not only with new stock, but to be able to produce flames which were not expected to blow…


Perhaps this is why I have so much high hope for the spin off movies… 🙂

The churches of Plovdiv, Bulgaria


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Since a long time I want to show you what the orthodox churches of Plovdiv look like.
Many of them are from the 19th Century, others are from the 20th century. Although not the oldest ones in Europe, they are to me very beautiful and special. And as a person born in Plovdiv, I feel obliged to show you what they look like from the outside and from the inside.

Here are some of my personal photographs of many of the churches of Plovdiv. Enjoy…

The iconostasis of Church of the Holy Mother of God, Plovdiv
Church of the Holy Mother of God, Plovdiv

Church “St. Petka” the old temple (1836)

Iconostasis of the Church “St. Petka” the old temple

Dome of the Church “St. Nedelya” (1832)

Iconostasis of the Church “St. Nedelya”

Bell tower of the church “St Nedelya”

Marble iconostasis of the church “St. Dimitar”, Plovdiv (1838)

The Church “St. Haralampii”, Plovdiv, 19th century

The Icon of Jesus on the iconostasis of the church “St. Maryna”, 19th century, Plovdiv

The Icon of St. Stiliyan at the church “St. Maryna”

The dome of the church “St Cyril and Metodii”

The iconostasis of the church “St. George” (19th century), Plovdiv

Detail of the iconostasis of the church “St. George”

Bell tower of the orthodox-catholic church, Plovdiv
Bell tower of the orthodox-catholic church, Plovdiv

Church of the St. Trinity, Plovdiv

Dome of the church “St. Trinity”, Plovdiv

Church “Feast of the Ascension” / “St. Spas”, Plovdiv – inside

Inside the church “St. Spas”, Plovdiv

Church “St. Ivan Rilski”, Plovdiv

Iconostasis of the church “St. Ivan Rilski”, Plovdiv

Dome of the Church “St. Ivan Rilski”, Plovdiv

Icon of Jesus at the church “St. Ivan Rilski”, Plovdiv

The newest church in Plovdiv – “St. Nicolas”

The Dome of the church “St. Nicolas”, Plovdiv

These pictures in higher resolution and many more you can find at the temples’ photo album at my flickr page here: https://www.flickr.com/photos/89274445@N07

The happiest saddest truest ending of Mad Men


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It’s all about what makes us different and what makes us all the same – something like the meaning of life…

Mad Men

It took me some time to come to terms with the final half season of Mad Men. Not because it was something that I didn’t expect, or that it was a finale which bothered me. It’s just because Mad Men is a show which encompasses all the emotions and steps in life which we as ordinary people take in life. And it is both so far away from my Bulgarian life and yet so close to my human life.

Don Draper, Peggy Olson, Pete Campbell, Betty Francis, Joan Harris and the others are representing all the features of the contemporary female and male person. It’s really a show for everybody. And yet it represents something new to television. This show has inner energy which doesn’t necessary culminate into some unexpected action or drama scene. Topics such as self acceptance, family, work relations, romantic relationships and interpersonal connection are heavily dissected. This show started as a period drama and ended as a characters’ piece. Which is a good development, considering how tv shows tend to lose their face, morphing into multiple genre money making machines.

Anyway – about that finale…
I am certain that Don Draper is consciously separated from the other characters. And his fate is more about the inner cosmos, than what happens in the outer, interpersonal space. That journey towards his self acceptance is far away from the development of other character’s lives. He escapes from the others, the new office, his resposibilities, his second divorce, his home, his family – he strips himself consciously from his name and face. Dick Whitman wants to come out and show what a hobo he is. But Don is a much more layered person in season 7, than in season 1. And yet he is still that kind of a man who has invented the phrase “what you call love was invented by guys like me, to sell nylons.”. And what a better nylon than Coca Cola. The dream advertising job stalking Draper since season 1.

Don Draper is that good in advertising because he is as selfish as it gets when it comes to preserving his sanity. When embracing his mirror image and crying out his despair after showing empathy at the retreat, Draper becomes enlightened in a way which is true to his nature. Commercialism is very close to Don’s true self only because he ultimately really finds solutions for his problems in advertising.

Yes, Peggy’s roller skating moment and her badass entry moment with that famous painting were super cool and very much in the style of Mad Men, but there were some moments which felt a little bit as a fan service – Peggy and Stan embracing each other, Pete returning without a problem to Trudy. Only Betty received a rather dark ending. But Sally really embraced the chance to shine through this final half season.

Since Mad Men is so influential in our modern society – as characters piece, as a style textbook, as a narrative choice – we owe a huge “thank you” to Matthew Weiner. We cannot miss the chance to thank his choice of actors and the way he drove this piece right till the end. After Don’s enlightenment life goes on, nothing changes. But something is different – we are all influenced by the way introspection is combined with retrospection in this show. People’s life goal has always been to find a meaning in their life, a purpose. Don has found again his place in this ironic world, have you found yours?

Mad Men finale

What a lovely day!


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If you haven’t watched one of the best action movies this year, go to the nearest 3D movie theater and correct this mistake…

Mad Max Fury road

It’s been a while since I have watched a grand cinematic masterpiece with lots of quality action sequences. Maybe since “Prometheus”.

Anyway, I want to say a few words about the 4th Mad Max movie which is a true heir to the old movies, and especially to the first one. The exhilarating survival story is concentrated on the desert pursuit of our main hero Max Rockatansky who is helping Imperator Furiosa and the beautiful women, who happen to be running from the die-hard Immortan Joe. This being said – there is no more story setting, no time for prehistory, for building characters in the beginning – the action starts immediately. And it is fueled with relentless strive to overcome dire situations with desperate measures.

What strikes me most is the visual perfection of the execution of each action sequence. It is real, it is scary, it is fast and it is furious.
Yes, the dialogue is not much, and is not that good. But the presence of each character and his/her traits are true, visible and charming.
We get to see each of the main characters pursue their way of survival, but in the end only together they can achieve survival and fulfillment. Only Max is the ever estranged and wandering loner.

The truth is that this film is not about the depth of its plot, or the growth of a character in it. It is about the unique world in which this survival story is set. It is about the weary road warriors who battle each other over the only true and meaningful things left in the world – water, gas and procreation.
Because there is no Green Place, no end destination, no other refuge than the one of the mind. And as the main character is driven by his guilt and the ghosts of his lost relatives, the world in which he lives and wanders is driven by the mad desire to survive, to live, to prevail.
This may seem and sound crazy (as crazy as the man with the flame-throwing guitar), but more or less I’m used to see this same battle over and over again in our daily life. We may fight over more elitist values, but survival of the fittest is the most common theme in each argument, in each battle we fight in our lives. Because one can leave his/her legacy only as a victor.

No matter how primal it may seem, the message behind Mad Mad is vigorous – through the ecological collapse and moral decadence one can survive only through constant refueling of the inner values and fighting for them.
We can truly see the family metaphor with Max, Furiosa and the five wives and War boy Nux in one truck. And the dream of reaching home as a journey back to the beginning after escaping from it.

It is very important for me to note the excellent soundtrack and colorful visuals. I very much like this post apocalyptic desert world of Mad Max. The desperation is tempting, the solace is futile. In order to achieve something better, one has to accept the gritty nature of this aggressive world and fight it in every possible way he/she can.

This is a weird but grandiose roller coaster journey for the eyes, the ears and the mind. A long expected treasure for the road warriors out there.

Inherent Vice


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Did the modern society miss its chance to achieve something big in the 60’s and 70’s…?

Inherent vice

It’s been some time since I first saw the trailer for “Inherent vice” and liked it. It seemed free, dopey and careless enough to make me want to experience it.
And after all – this is Paul Thomas Anderson’s work. Not that I am a strict follower of his films, but they all show some resemblance to each other.
It is not that easy to represent the social tides in a truthful to the original manner. And the director has done it again. I very much liked his movie “The Master” and “Inherent vice” is even better and more sophisticated in a way.

First I have to give it all to the actors – Joaquin Phoenix, Katherine Waterston, Josh Brolin. All of them perfectly cast and gladly enjoyed as late hippie-era characters. They represent very good this feeling of almost getting what you want, but not exactly. As there is no full happiness, so there is no full description of that epic era of social change. The early 1970’s is the time when these people began to lose momentum and were already feeling the pressure which the state was apply on them.

This counterculture has grown to a point where it threatened the established order and power distribution. And that is why the hippies were denied their rightful position in society and this tendency became a symbol of a movement led by outsiders, strangers from the mass. But this is not what it is, this is not what it should be.

My main impression from this movie is that the director wants to convey his vague impression of what we as people could have been and could have done, if history hasn’t been led by powerhouses which exploit the natural human fears, weaknesses and desires. All the characters of this film are aware that they are not in control of their lives, they are unsatisfied, they strive to achieve more, but cannot do so, because they are influenced, led, used and left behind. Only “Doc” is drifting as an ambiguous epitome of self sufficient libertarian hippie. He and his delusional ex-girlfriend Shasta coincidentally repeat twice the slogan of the movie (at least I think that this is it) “This doesn’t mean that we’re back together. – Of course not.”

It is most important to note that we don’t see a coherent storytelling or sequential human relationships, turning a plot into a message. We witness a fragmented story of characters which live in a time which is different than the one they were born into. For me it is crucially important to feel the emotional state and the atmospheric resemblance of this film and to share it. Because one cannot rationalize what is already lost, but can experience this reminiscence of counterculture ideas and epicurean lifestyle.

Le Sel de la Terre


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The lines on his head were deep as the lines of the earth…

The salt of the Earth

Wim Wenders’ new masterpiece is a visually stunning lesson about our planet and our lives. We, the people, are both the salt and the scorch of the Earth…

Juliano Ribeiro Salgado and Wenders have made a thoughtful emotional journey through the life and work of the famous photographer Sebastião Salgado.
Both his personal and professional journeys are depicted through the photographs of the talented humanist. The adventurous journey is becoming a discovery of the human nature and after that of nature’s condition. A masterful revelation this picturesque travel envisions the marks which we leave on our planet and the traces which we imprint during our stay here.

It is important to note that the overall feeling of this movie is beautifully embodied by the soundtrack as well. And this feeling is surreal – a deep voyage into darkness and light – into the power of drawing with a camera. As a photographer too, I am once again amazed how a single picture can foretell, tell and commit to a certain topic. A person, a landscape, an overall feeling – this is what we get from this film.

Intricately constructed and simplistically presented, the meaning behind these shapes and colors is not ambiguous – we are the spice which could make the Earth both a better and worse place. It is very interesting to see this whole story told in French. I felt a certain feeling mystery and wisdom throughout the whole narrative. And although some scenes were striking, one can only feel humility watching this.

I strongly recommend that every photographer, who is striving to create, should see this movie. This documentary is very much a universal message of the ever repeating cycle of anger – despair – hope. This honorable look at the artist and his power which can transform people and nature is mesmerizing. As a conclusion I truly hope that we can learn from our mistakes and not repeat them all over again. Because when you immerse your soul into the soil, you cannot stay away from the imminent introspection which comes after that…

The Passenger


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Across the sands of time there is little comfort for the identity of loneliness…

The passenger

I’ve been willing to write about Michelangelo Antonioni’s Masterpiece. It’s just that when you sit down to describe and reflect upon such a monumental artwork, you need time and patience to be able to focus on the most important conclusions. For me it is always important to see the consequence of implications which you get from a movie. And I am pretty sure that “The Passenger” is indeed one of the best film I have ever seen.

The psychological drama about loneliness, alienation and the trouble of finding one’s identity stars Jack Nicholson as a television journalist who assumes the identity of a dead arms dealer in Chad and then escapes his own identity and life cycle. We witness the typical 1970’s movies feel of losing something real while trying to live the life. I am unsure if this film’s intelligent script would’ve had the same impact if there were no such beautiful landscapes which complement the psychological transformation of the main character David Locke. The cinematography by Luciano Tovoli is distancing the characters of the film one from another. A deliberate alienation which represents a person’s desire to escape oneself. Losing his identity Locke finds during his journey a soul mate – an architectural student in Barcelona (Maria Schneider). We witness their unconventional relationship and route through exotic and deserted villages and cities.

At the same time Locke’s real life (represented by his unfaithful wife) tries to reach and find him. The main character is deliberately avoiding being found and desperately is trying to not go back to his original existence. France and especially Spain present us with both fascinating and haunting images of nature and architecture. It is very important for the viewer to notice Nicholson’s character being “blown by the wind” from one deserted place to another. David Locke is a traveler through time and space who is attracted to his young female companion and spiritual soul mate, but ultimately is troubled only by his own escapade.

And although his new arms dealing identity finally takes its toll, he is presented as a newborn soul, freed from the constraints of his ordinary life. This alienated freedom provokes many viewers to try to find what is not right in their own lives and reflect upon how to change that.
My feel about “The Passenger” is very similar to what I got from Antonioni’s “Zabriskie point”, “Blow-Up” and his trilogy “L’Avventura”, “La Notte” and “L’Eclisse”. A distant both haunting and beautiful cry about longing for a change and true meaning of one’s life. It is very inspiring to see how a genius director can evoke true feelings in us with this enigmatic and intricate movie of possibilities. And there is no better example for this than the penultimate 7-minute tracking shot at the end of “The Passenger”…